My paintings have trough the use of beeswax, a tranparant and immaterial appearence
It also makes the painting more into a wall object. The warm wax with
pigments flow through and over each other to show that I often do not know where it will
go, at least initially. It is the material that asks me what to do.

Images that I can not immediately fathom, intrigue me often more than a picture that tells
a clear defined message, or complete story. The presentation should tell a story raising
questings for the viewer, or just be there with something you want to leave: emotion,
thoughts, or memories.

This way I also work on my paintings, I build up the leayers like some kind of labour in which memorial images are part of the painting process. Thanks to the transparancy of
the wax you can, in a way, penetrate the painting. There is a certain depth, but you don’t know where it ends, and what is in it.